Three chapels by Gian Lorenzo Bernini Cappella Cornaro Cardinal Federigo Cornaro, belonged to one of the richest families of Venice. With him, Bernini
did not have budget limitations and he and his team worked for years (1647-1651) on a chapel in honor of St Teresa in
the church of S. Maria della Vittoria. Cardinal Cornaro required
Bernini to execute personally the sculptures and the outcome is one of his masterpieces.
The light falls from hidden windows in the top of the altar on the statues of the saint and of the angel. The use of golden rays will again be considered by Bernini in St Peter's Chair of St Peter. The curved shape of the altar reminds me of the niches designed by Borromini in the same period in St John Lateran. The genius of Bernini and the professionalism of his team are revealed by the attention to the details in all the elements of the chapel. Other chapels by Gian Lorenzo Bernini: Cappella Raimondi in S. Pietro in Montorio Cappella Paluzzi Albertoni in S. Francesco a Ripa Other pages dealing with Baroque sculpture: Monuments showing the dead in a medallion Representation of Death in Baroque sculptures Statues in the act of praying Three busts by Alessandro Algardi See also my List of Baroque Architects and my Directory of Baroque Sculpture. Go and see another work by Gian Lorenzo Bernini or go to my Home
Page on Baroque Rome or to my Home Page on Rome
in the footsteps of an XVIIIth century traveller.
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