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Preliminary information on the micro-learning modules of this page
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GENERAL OBJECTIVES OF THE MICRO-MODULES |
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| GENERAL MODEL OF MICROMODULES : CATEGORY CONTENT & SUPPORT | |
| The micromodules listed on this page make up a sample of web-learning environment which falls into the category of CONTENT AND SUPPORT MODEL for online courses. | |
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| A: top-down investigation and information retrieval for field-dependent students with tendency to convergent thinking style | B:bottom-up thought-provoking learning activities for critical global and synthesis-prone students, with divergent thinking style |
| structured teaching materials | |
| lesson-like internal structure | |
| focus on content design | |
| self-scoring tools | |
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FAMOUS ACTORS AND CHARACTERS IN ITALIAN DRAMA TRADITION
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TARGET: the micromodules are designed for Italian students wishing to export their knowledge to other non-Italian European peers. They are therefore preliminary to chat and forum sessions. |
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| content structures | |
| sites in Italian related to the actor | |
| open low to medum inference questions | |
| performance activities | |
| autoscoring self-test | |
| Gilberto Govi | Paolo Villaggio |
| Aldo Fabrizi | Beppe Grillo |
| Erminio Macario | Dario Fo & Franca Rame |
| Vittorio Gassman | Alberto Sordi |
| Ettore Petrolini | Gino Cervi |
| Eduardo Scarpetta | Eduardo deFilippo |
| Anna Magnani | Vittorio De Sica |
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MASKS AS SOCIAL INTERFACE FOR EVER-CHANGING ROLES AND IDENTITIES |
| 1.open study questions |
| 2.medium to high inference open questions |
| 3 students are exposed to a set of thought-provoking questions (metacognitive skills) |
| 4.after examining the theme and the study questions, students are to produce a concept map of the topic as they see it. |
| 5. students are given a title for an argumentative composition where narratologic methods should encourage them to analyse their choices. |
| 6.students are required to produce an explanatory abstract with logical connections between conceptual nodes of the map |
| 7.students are required to supply websites relevant to every node of the concept map |
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| YOU AND YOUR OWN MASKS (CLASS 1b - ITIS EINSTEIN - Tutor: Rosa Campoli |
| REGIONAL MASKS & TRADITIONS |
| MASKS: FORMS & MEANINGS |
| POLITICAL SATIRE IN ITALY |
| THE AGE OF SOCIAL ANXIETY |
| DECADENT THEATRE AND LIFESTYLES |
| GLOBALIZED NARCISSISM AND COGNITIVE DEPRIVATION: IL COATTO |
| THRILLERS IN ITALY - IL GIALLO STORICO IN ITALIA E ALTROVE |
Miscellanea on theatre traditions
Theatre as tecnology to understand oneself (in Italian)
Links on the world of Italian comic heroes
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module 1: masks forms and meanings
Task: using the miscellaneous references below, try to brainstorm over the following questions:
1. What is the role of masks in contemporary Italian theatre? |
| 2. How is the concept of mask related to that of personality? |
| 3. How is the concept of mask related to that of social roles? |
| 4. Do you wear a mask? - Do we all wear a mask? - does this mask change over time? |
| 5. How did Pirandello deal with the quest for identity? |
| 6. Can you find other European playwrights who shared Pirandello's views? |
MULTIPLE-LAYER ANALYSIS OF THE SEMANTIC VALUE OF MASKS
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