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Preliminary information on the micro-learning modules of this page
GENERAL OBJECTIVES OF THE MICRO-MODULES |
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GENERAL MODEL OF MICROMODULES : CATEGORY CONTENT & SUPPORT | |
The micromodules listed on this page make up a sample of web-learning environment which falls into the category of CONTENT AND SUPPORT MODEL for online courses. | |
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A: top-down investigation and information retrieval for field-dependent students with tendency to convergent thinking style | B:bottom-up thought-provoking learning activities for critical global and synthesis-prone students, with divergent thinking style |
structured teaching materials | |
lesson-like internal structure | |
focus on content design | |
self-scoring tools | |
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FAMOUS ACTORS AND CHARACTERS IN ITALIAN DRAMA TRADITION
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TARGET: the micromodules are designed for Italian students wishing to export their knowledge to other non-Italian European peers. They are therefore preliminary to chat and forum sessions. |
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content structures | |
sites in Italian related to the actor | |
open low to medum inference questions | |
performance activities | |
autoscoring self-test | |
Gilberto Govi | Paolo Villaggio |
Aldo Fabrizi | Beppe Grillo |
Erminio Macario | Dario Fo & Franca Rame |
Vittorio Gassman | Alberto Sordi |
Ettore Petrolini | Gino Cervi |
Eduardo Scarpetta | Eduardo deFilippo |
Anna Magnani | Vittorio De Sica |
MASKS AS SOCIAL INTERFACE FOR EVER-CHANGING ROLES AND IDENTITIES |
1.open study questions |
2.medium to high inference open questions |
3 students are exposed to a set of thought-provoking questions (metacognitive skills) |
4.after examining the theme and the study questions, students are to produce a concept map of the topic as they see it. |
5. students are given a title for an argumentative composition where narratologic methods should encourage them to analyse their choices. |
6.students are required to produce an explanatory abstract with logical connections between conceptual nodes of the map |
7.students are required to supply websites relevant to every node of the concept map |
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YOU AND YOUR OWN MASKS (CLASS 1b - ITIS EINSTEIN - Tutor: Rosa Campoli |
REGIONAL MASKS & TRADITIONS |
MASKS: FORMS & MEANINGS |
POLITICAL SATIRE IN ITALY |
THE AGE OF SOCIAL ANXIETY |
DECADENT THEATRE AND LIFESTYLES |
GLOBALIZED NARCISSISM AND COGNITIVE DEPRIVATION: IL COATTO |
THRILLERS IN ITALY - IL GIALLO STORICO IN ITALIA E ALTROVE |
Miscellanea on theatre traditions
Theatre as tecnology to understand oneself (in Italian)
Links on the world of Italian comic heroes
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module 1: masks forms and meanings
Task: using the miscellaneous references below, try to brainstorm over the following questions:
1. What is the role of masks in contemporary Italian theatre? |
2. How is the concept of mask related to that of personality? |
3. How is the concept of mask related to that of social roles? |
4. Do you wear a mask? - Do we all wear a mask? - does this mask change over time? |
5. How did Pirandello deal with the quest for identity? |
6. Can you find other European playwrights who shared Pirandello's views? |
MULTIPLE-LAYER ANALYSIS OF THE SEMANTIC VALUE OF MASKS
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