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Chiesa della Santissima Trinità (Book 7) (Map B2) (Day 1) (View C6) (Rione Campo Marzio)

In this page:
 The plate by Giuseppe Vasi
 Today's view
 The Order of the Trinitarians
 Palazzo Nunez
 Palazzo di Malta and Palazzetto Ansellini
 Palazzo del Principe di Polonia and Palazzo Gomez o Lepri Gallo
 Mariano Vasi's Chalcography
 Oratorio del SS. Sacramento e Santi Giuseppe e Orsola (Conservatorio di S. Cecilia)
 Palazzo Boncompagni Cerasi
 Caffè Greco and Babington's Tea Rooms

The Plate (No. 128)

Monastero de Monaci Cisterciensi

The church had just been completed at the expense of the Spanish King Philip V by the Portuguese architect Emanuel Rodriguez Dos Santos. As in other plates the objective of Vasi was another subject, namely a frontal view of the Spanish Steps. In his plate on Piazza di Spagna Vasi chose a point of view which does not allow viewing the Steps. The view is taken from the green dot in the map below. In the description below the plate Vasi made reference to: 1) Strada Condotti; 2) Palazzo Nunez; 3) Fontana della Barcaccia; 4) SS. Trinità sul Monte Pincio. 3) and 4) are shown in more detail in other pages. The small 1748 map shows also 5) Calcografia di Mariano Vasi; 6) Palazzo del Principe di Polonia; 7) Oratorio del SS. Sacramento; 8) Santi Giuseppe ed Orsola; 9) Palazzo Bonompagni Cerasi; 10) Palazzo di Malta; 11) Palazzetto Ansellini; 12) Caffè Greco; 13) Babington's Tea Rooms.

Small ViewSmall View

Today

The view today

To get a somewhat frontal view of the church it is necessary to sacrifice the view of the steps at the end of Via Condotti. We are in the heart of the shopping district of Rome: no large Department Stores, more a kind of Old Bond Street. The detail of Trinità de' Monti in the background of this page does not show the obelisk put on top of the Spanish Steps in 1789 by Pius VI.

The Order

Freeing the slaves

The Church and the adjoining Friary were built for the order of the Trinitarians. This order was devoted to freeing from slavery Christians under Moorish or Turkish rule. By the XVIIIth century there was already little scope for such activities and the order is no longer the owner of the Church. This is an explanation for the angel and the chains one sees in the statues above the entrance. The façade is embellished by a fine (although simplified) coat of arms of the King of Spain.

Palazzo Nunez

Palazzo Nunez

Palazzo Nunez was designed by Giovanni Antonio de' Rossi in 1659. It was bought by the Torlonia in the XIXth century and it was largely modified. The main entrance is in a side street (Via Bocca di Leone). A poor quality fountain stood opposite to the entrance and in 1842 Prince Marino Giovanni Torlonia replaced it with a new one made of a fine Roman sarcophagus.

Palazzo di Malta

Palazzo di Malta

In many XVIIIth century buildings in Via Condotti the owner lived in the first floor and the rest of the building was split into flats which were rented. Palazzetto Ansellini (image on the left) is an example of this pattern.
In 1522 the Knights of Jerusalem were forced by the Turks to abandon Rhodes. They moved to Crete and in 1530 to Malta, which was given to them by the emperor Charles V. They ruled the island until the French conquest in 1798. Their ambassador in Rome lived in a palace in Via Condotti. The building was repeatedly modified in the XIXth century: it retains an original 1631 inscription celebrating a major upgrading of the palace and in the courtyard there is a fountain with the Maltese cross.

Palazzo del Principe di Polonia

Palazzo del Principe di Polonia

Via della Croce is a street which, like Via Condotti, links Via del Corso with Piazza di Spagna. In this street was the Palace of the Prince Stanislaw Poniatowsky from Poland who settled in Rome in 1792. The rather ordinary building (image on the left) is today split into apartments. In the same street Palazzo Gomez, then Palazzo Lepri Gallo built in 1678 by Giovanni Antonio de' Rossi has a fine portal and a strange courtyard with flowerpots, fountains, scooters and classical statues (for more courtyards of Rome click here). Not very far from here, opposite Trinità dei Monti, Palazzo Zuccari was for some time known as Palazzo della Regina di Polonia (Queen Maria Casimira Sobiesky).

Palazzo del Principe di Polonia (II)


Mariano Vasi's Chalcography

Mariano Vasi's shop

The shop of Mariano Vasi (son of Giuseppe Vasi) was located at the beginning of Via del Babuino (from Piazza di Spagna). It was referred to as a Chalcography as it sold prints made from engravings on copper (khalkos in Greek). The address quoted in his books is Via del Babuino 122, which most likely coincides with the current 120. Conveniently located in the center of the Strangers' quarter it provided all sorts of books and prints for the educated traveller. Mariano updated several times his father's Guide of Rome in eight itineraries.

Oratorio del SS. Sacramento e SS. Giuseppe e Orsola

Oratorio e SS. Giuseppe e Orsola

Oratorio del SS. Sacramento is not the only oratory with this name. A larger one is located near S. Maria in Via. This very small oratory belonged to a brotherhood (Arciconfraternita) founded in 1576 and associated with the church of S. Lorenzo in Lucina. The building was largely modified in 1724 maybe by Nicola Michetti a Roman architect who spent several years in St Petersburg. The oratory was deconsecrated in the XIXth century and in 1971 it became a leather shop. The side wall of the oratory retains a small relief which makes reference to its previous owners.
The Ursuline nunnery dedicated to SS. Giuseppe e Orsola was confiscated by the Italian Government in 1870, when Rome became part of the Kingdom of Italy. The nunnery was turned into Conservatorio di S. Cecilia, the school of music of Rome. The church of the nummery is now a little theatre used by a school of dramatic arts. The church and the nunnery were largely restored in 1760 by Clemens XIII and the cloister retains a fine coat of arms of the pope.

Palazzo Boncompagni Cerasi

Palazzo Boncompagni Cerasi

In the XVIIIth century many noble Roman families heavily invested in large apartment buildings which were rented to the members of the emerging middle class and to the growing number of foreigners who visited Rome (more on this subject in Flats for Rent). Palazzo Boncompagni (later on Cerasi), located in Via del Babuino, at the center of the Strangers' Quarter of Rome, appealed in particular to the richest foreigners who required an accommodation appropriate to their rank. It was designed in 1738 by Domenico Gregorini.

Caffè Greco and Babington's Tea Rooms

Caffè Greco and Babington's Tea Rooms

In 1760 a certain Nicola di Maddalena levantino (according to the parish records) opened a coffee-shop at the end of Via dei Condotti which soon became popular among the many foreigners living in the area. Most likely Nicola came from one of the Greek islands belonging to Venice and this explains the name of his shop. He had to face the competition of Caffè degli Inglesi (now lost) which opened in that same year in Piazza di Spagna. Some rooms of Caffè Greco are decorated with paintings showing views of Rome.
Babington's Tea Rooms, a very English establishment, in a way replacing Caffè degli Inglesi, was opened in 1893 in the building to the left of the Spanish Steps.

Excerpts from Giuseppe Vasi 1761 Itinerary related to this page:


Monastero e Chiesa delle Orsoline
Proseguendo il cammino per la strada del Corso, ed entrando nel terzo vicolo dopo la descritta chiesa, si vede a sinistra il monastero dell'oblate Orsoline, eretto l'an. 1684. da Laura Duchessa di Modena, madre di una Regina d'Inghilterra , con una piccola chiesa che è dedicata al Patriarca s. Giuseppe.
Chiesa della SS. Trinità in strada Condotti
L'anno 1741. fu edificata quella chiesa con disegno di Emanuele Rodriquez Portughese, terminata però da D. Giuseppe Ermosiglia spagnuolo, per un legato di D. Diego Arcivescovo di Lima, e Vice-Re del Perù, affine di stabilire in Roma i Religiosi spagnuoli dell'Ordine del Riscatto, di cui anche egli era religioso. Perciò terminata che fu, venne dedicata alla ss. Trinità, e per distinzione dell' altre chiese, porta il nome della strada, a cui appoggia. E' questa di figura ovale con sette cappelle; nella prima a destra vi è s. Caterina colla ss. Vergine dipinta da Giuseppe Paladini Messinese; nella seconda vi dipinse il quadro Lamberto Karhe Fiammingo, e nella terza D. Francesco Preziado spagnuolo. Il quadro dell'altare maggiore è di Corrado Giacquinto, e i laterali sono di D. Antonio Valasques spagnuolo, il quale dipinse a fresco anche le pitture in alto. Il quadro nell'altra cappella è di Gaetano Lapis, e quello nell' ultima del Cav. Benesiani. Le pitture a fresco nella volta, nel coro, e nella sagrestia sono di Gregorio Guglielmi; il quadretto però nell’ altare della medesima è del suddetto Preziado, e le sculture in marmo sono di Gasparo Sibilia.
... La deliziosa strada che da questa principia, e seguita dritta fino al collegio Clementino si dice de' condotti, per gli antichi condotti dell'acqua Vergine, che vi passavano; e poi fino a castel s. Angelo, si dice dell'Orso. Nel principio di essa evvi a destra il palazzo dell'Imbasciatore di Malta, ed incontro quello di Nunez molto magnifico.

Next plate in Book 7: S. Maria delle Fornaci
Next step in Day 1 itinerary: Palazzo Ruspoli
Next step in your tour of Rione Campo Marzio: Palazzo Ruspoli


Go to    or to  Book 7 or to the  Plan of my site  or to my Home Page on Baroque Rome or to my Home Page on Rome in the footsteps of an XVIIIth century traveller.


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